Explore your Results

ThumbnailTitle
Paestum, Gate, Porta della SirenaPaestum, Gate, Porta della Sirena
IMAGE
Portrait, three quarter view, of a boy facing forward  He wears a dark waistcoat and a dark jacket, with a white shirt and turned down collars, and a patterned bow tie.  He has mid brown wavy hair. His left arm rests on a table covered in a tablecloth and his right arm is on his lap. Lightly hand coloured.Portrait, three quarter view, of a boy facing forward He wears a dark waistcoat and a dark jacket, with a white shirt and turned down collars, and a patterned bow tie. He has mid brown wavy hair. His left arm rests on a table covered in a tablecloth and his right arm is on his lap. Lightly hand coloured.
IMAGE
Bottom opening caseBottom opening case
IMAGE
There is a metal suspension loop at the top.There is a metal suspension loop at the top.
IMAGE
Stamped the cover of the case: Mr KILBURN BY APPOINTMENT 234 REGENT STREET with two coats of arms between the lettering. It is the royal warrant and photographer's name, 'Mr Kilburn, 234 Regent Street', stamped in gold on front. Kilburn' studio was based at 234 Regent street 234 Regent Street in Westminster  between 1845 - July 1855.Stamped the cover of the case: Mr KILBURN BY APPOINTMENT 234 REGENT STREET with two coats of arms between the lettering. It is the royal warrant and photographer's name, 'Mr Kilburn, 234 Regent Street', stamped in gold on front. Kilburn' studio was based at 234 Regent street 234 Regent Street in Westminster between 1845 - July 1855.
IMAGE
Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.
IMAGE
Housed in its original slip case, a stereo daguerreotype, stamped inside with Kilburn's crest see digital imageHoused in its original slip case, a stereo daguerreotype, stamped inside with Kilburn's crest see digital image
IMAGE
Naples, The Royal Palace, with the barracks belowNaples, The Royal Palace, with the barracks below
IMAGE
Thomas Birch Freeman (1809-1890)  was a British Methodist missionary to West Africa, born in Hampshire the son of a freed slave. He was accepted as a Wesleyan Methodist missionary in 1837, after he had been head gardener on a Suffolk estate. His vision, tact, humanity, energy, and durability underlie the now substantial Methodist presence in Ghana, Western Nigeria, and Benin.Thomas Birch Freeman (1809-1890) was a British Methodist missionary to West Africa, born in Hampshire the son of a freed slave. He was accepted as a Wesleyan Methodist missionary in 1837, after he had been head gardener on a Suffolk estate. His vision, tact, humanity, energy, and durability underlie the now substantial Methodist presence in Ghana, Western Nigeria, and Benin.
IMAGE
Not in original mountNot in original mount
IMAGE
Mat stamped BEARD PATENTEE
Wharton-style caseMat stamped BEARD PATENTEE Wharton-style case
IMAGE
Fountain in the Piazza del Popolo at the foot of the Pincian HillFountain in the Piazza del Popolo at the foot of the Pincian Hill
IMAGE
Gilded sun-design impressed on back of case with inscription 'MAYALL. LONDON. 224 REGENT STREET ARGYLL PLACE'. 
Creator probably John Jabez Edwin Paisley MayallGilded sun-design impressed on back of case with inscription 'MAYALL. LONDON. 224 REGENT STREET ARGYLL PLACE'. Creator probably John Jabez Edwin Paisley Mayall
IMAGE
Arch of Constantine, North side.Arch of Constantine, North side.
IMAGE
Half-length portrait of a woman in a  dark dress, facing the camera, her hands rest in her lap. she holds an open book in her left hand. She has white lace collar and white cuffs. She has a thin necklace, white brooch carved to show a thistle in blossom, and  a ring on her left hand. A table at her left elbow is covered with a cloth, another larger book rests on it.Half-length portrait of a woman in a dark dress, facing the camera, her hands rest in her lap. she holds an open book in her left hand. She has white lace collar and white cuffs. She has a thin necklace, white brooch carved to show a thistle in blossom, and a ring on her left hand. A table at her left elbow is covered with a cloth, another larger book rests on it.
IMAGE
Rome, Ponte Rotto from near the Temple of VestaRome, Ponte Rotto from near the Temple of Vesta
IMAGE
Note that case may be wood and imitation leather, perhaps paper on wood.Note that case may be wood and imitation leather, perhaps paper on wood.
IMAGE
Rome, The Northern Portico, added by Agrippa to the Pantheon, with the obeliskRome, The Northern Portico, added by Agrippa to the Pantheon, with the obelisk
IMAGE
Half length portrait of a seated man, facing the camera, his body turned to his right. Against a painted backdrop of clouds. He wears a dark jacket, white shirt, dark cravat. His hair and sideburns are going grey. Hand coloured.Half length portrait of a seated man, facing the camera, his body turned to his right. Against a painted backdrop of clouds. He wears a dark jacket, white shirt, dark cravat. His hair and sideburns are going grey. Hand coloured.
IMAGE
The case is in the form of a book, with a decorative binding. A spray of ornate flowers is stamped in gold on back and front.The case is in the form of a book, with a decorative binding. A spray of ornate flowers is stamped in gold on back and front.
IMAGE
Impressed design on front of case depicts in the centre a swan on  a grassy mound with greater reed mace behind.Impressed design on front of case depicts in the centre a swan on a grassy mound with greater reed mace behind.
IMAGE
Rome: View from the PincioRome: View from the Pincio
IMAGE
Rome, San Giovanni & Paolo in Monte CelioRome, San Giovanni & Paolo in Monte Celio
IMAGE
Impressed design on front of case depicts in the centre a swan on  a grassy mound with greater reed mace behind.Impressed design on front of case depicts in the centre a swan on a grassy mound with greater reed mace behind.
IMAGE
Rome, Piazza Navona from the north east angleRome, Piazza Navona from the north east angle
IMAGE
Half-length portrait of a man seated on an ornate carved 'Gothic' chair, his body turned to his left, looking at the camera. He has white hair and sideburns. His hands rest in his lap, There is a ring on the ring finger of his right hand. He wears a dark jacket, dark plain waistcoat and dark tied cravat, white shirt, paler trousers.Half-length portrait of a man seated on an ornate carved 'Gothic' chair, his body turned to his left, looking at the camera. He has white hair and sideburns. His hands rest in his lap, There is a ring on the ring finger of his right hand. He wears a dark jacket, dark plain waistcoat and dark tied cravat, white shirt, paler trousers.
IMAGE
Claudet's studio was at 18 King William Street, Strand, Westminster 1843 - June 15 1851. (see links)Claudet's studio was at 18 King William Street, Strand, Westminster 1843 - June 15 1851. (see links)
IMAGE
Landscape view of the Forum, Rome. Exterior view of an archaeological site, showing architectural detail of Roman Antiquities. Scene including Corinthian columns and a triumphal arch in the foreground, with domes of other buildings in the background.Landscape view of the Forum, Rome. Exterior view of an archaeological site, showing architectural detail of Roman Antiquities. Scene including Corinthian columns and a triumphal arch in the foreground, with domes of other buildings in the background.
IMAGE
Classical group sculpture of Bacchus with a nymph sitting on a lion and two putti. Possibly marble, possibly exhibited in the Great Exhibition. One of the putti appears to be a young satyr.Classical group sculpture of Bacchus with a nymph sitting on a lion and two putti. Possibly marble, possibly exhibited in the Great Exhibition. One of the putti appears to be a young satyr.
IMAGE
Impressed design on front of case depicts in the centre a swan on  a grassy mound with greater reed mace behind.Impressed design on front of case depicts in the centre a swan on a grassy mound with greater reed mace behind.
IMAGE
Has lost its case. Has been retaped with light blue paper.  Electroplated silver.Has lost its case. Has been retaped with light blue paper. Electroplated silver.
IMAGE
Three-quarter length portrait of a man, seated turned to his left, left hand on left thigh, right elbow on a small circular table covered with a cloth. He wears a dark double-breasted jacket buttoned up, with white trousers. A dark cravat, white shirt. Remarkable sideburns, large, dark and fluffy. Cloth backdropThree-quarter length portrait of a man, seated turned to his left, left hand on left thigh, right elbow on a small circular table covered with a cloth. He wears a dark double-breasted jacket buttoned up, with white trousers. A dark cravat, white shirt. Remarkable sideburns, large, dark and fluffy. Cloth backdrop
IMAGE
Impressed design on front of case depicts in the centre a swan on  a grassy mound with greater reed mace behind.Impressed design on front of case depicts in the centre a swan on a grassy mound with greater reed mace behind.
IMAGE
Rome, Piazza Navona from the north east angle.Rome, Piazza Navona from the north east angle.
IMAGE
Portrait housed in a case that has Richard beard's signature in the base.Portrait housed in a case that has Richard beard's signature in the base.
IMAGE
A fine example of daguerreotype technology: mechanically polished plate, curved glass cover, very decorative mat with four roundels in the corner spandrels: two classical female heads in profile at the top, two views of castles below. Also linear and foliate decoration.A fine example of daguerreotype technology: mechanically polished plate, curved glass cover, very decorative mat with four roundels in the corner spandrels: two classical female heads in profile at the top, two views of castles below. Also linear and foliate decoration.
IMAGE
Venice, Bridge of the Rialto, and Riva dei CarboniVenice, Bridge of the Rialto, and Riva dei Carboni
IMAGE
Rome. Porta Appia or San Sebastiano, leading to the Via Appia or San SebastianoRome. Porta Appia or San Sebastiano, leading to the Via Appia or San Sebastiano
IMAGE
Paestum, The Great Temple called also the Temple of Neptune, from the South EastPaestum, The Great Temple called also the Temple of Neptune, from the South East
IMAGE
Portico of OctaviaPortico of Octavia
IMAGE
See 1990-5036-13711 for a view of the opposite side of the sculpture.See 1990-5036-13711 for a view of the opposite side of the sculpture.
IMAGE
Tray of case only.
Youngs Photographers Rooms, 15 Buchanan St
(gilt on reverse)Tray of case only. Youngs Photographers Rooms, 15 Buchanan St (gilt on reverse)
IMAGE
Title on plinth 'The First Whisper of Love' by William Calder Marshall.
Creators probably Negretti and Zambra.Title on plinth 'The First Whisper of Love' by William Calder Marshall. Creators probably Negretti and Zambra.
IMAGE
Rome, view from the Bell-tower of S. Maria in Cosmedino.Rome, view from the Bell-tower of S. Maria in Cosmedino.
IMAGE
Impressed design on front of case depicts in the centre a swan on  a grassy mound with greater reed mace behind.Impressed design on front of case depicts in the centre a swan on a grassy mound with greater reed mace behind.
IMAGE
Notes say 'Young man with brother'. / Note that the case has features of Anglo-American and EuropeanNotes say 'Young man with brother'. / Note that the case has features of Anglo-American and European
IMAGE
Rome, The East side of the Triumphal Arch of Septimius SeverusRome, The East side of the Triumphal Arch of Septimius Severus
IMAGE
Rome. Remains of Temple of Faustina and Antoninus (South side).Rome. Remains of Temple of Faustina and Antoninus (South side).
IMAGE
A beautiful and unusual stereo view.A beautiful and unusual stereo view.
IMAGE
Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.
IMAGE
Portrait of a man in a Wharton case by a Beard Patentee. The case is broken and there is a piece of sellotape on one corner. / In a Wharton casePortrait of a man in a Wharton case by a Beard Patentee. The case is broken and there is a piece of sellotape on one corner. / In a Wharton case
IMAGE
Image has probably been re-packagedImage has probably been re-packaged
IMAGE
Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.
IMAGE
Colossal Statue in the Barberini GardensColossal Statue in the Barberini Gardens
IMAGE
Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.
IMAGE
Marble statue or cast of a seated figure by James Pradier. He sits on a chair, head resting on his right hand, right elbow on a manuscript balanced on his right leg which is crossed over his left. His left hand holds a writing quill.Marble statue or cast of a seated figure by James Pradier. He sits on a chair, head resting on his right hand, right elbow on a manuscript balanced on his right leg which is crossed over his left. His left hand holds a writing quill.
IMAGE
Rome, Part of the wall of the Forum of NervaRome, Part of the wall of the Forum of Nerva
IMAGE
Portrait, three quarter length, of a seated woman with a baby in her lap and one hand around its waist. She wears a dark dress and a bonnet and has straight hair in a middle parting in front of it. She is seen in three quarters profile and the baby looks straight ahead. It is wearing a light coloured dress and coat. There is a table that has some objects on it on the right, and part of a chair back visible on the left..Portrait, three quarter length, of a seated woman with a baby in her lap and one hand around its waist. She wears a dark dress and a bonnet and has straight hair in a middle parting in front of it. She is seen in three quarters profile and the baby looks straight ahead. It is wearing a light coloured dress and coat. There is a table that has some objects on it on the right, and part of a chair back visible on the left..
IMAGE
Rome. The Forum of Trajan, with broken columns.Rome. The Forum of Trajan, with broken columns.
IMAGE
Three-quarter length portrait of two seated young men. The young man on the left wears striped trousers, waistcoat with pocket watch chain, jacket, shirt and cravat. His receding hair is in a side parting and he has a chinstrap beard. His right hand is on one knee and his left arm around the shoulders of the other sitter. The young man on the right is wearing trousers, floral patterned waistcoat with pocket watch chain, jacket and bow tie. His hair is in a side parting and is clean shaven. His hands rest in his lap. The watch chains and their lips and blush are hand coloured. Plain background.Three-quarter length portrait of two seated young men. The young man on the left wears striped trousers, waistcoat with pocket watch chain, jacket, shirt and cravat. His receding hair is in a side parting and he has a chinstrap beard. His right hand is on one knee and his left arm around the shoulders of the other sitter. The young man on the right is wearing trousers, floral patterned waistcoat with pocket watch chain, jacket and bow tie. His hair is in a side parting and is clean shaven. His hands rest in his lap. The watch chains and their lips and blush are hand coloured. Plain background.
IMAGE
Part of the Ellis group of daguerreotypes.Part of the Ellis group of daguerreotypes.
IMAGE
W.G.Helsby Retrastista Valparaiso and crest indicates this was made in ChileW.G.Helsby Retrastista Valparaiso and crest indicates this was made in Chile
IMAGE
Portrait, three quarter length of a seated woman with her hands on her lap. She wears a dark dress with ruching on the bodice and a V-shaped insert with lace trimming and possibly a collar.  She has side buns and hair in a middle parting. Her left arm rests on a table that has an open book on it. Part of her wooden chair is visible. There may be a brooch on her bodice. Gold chain highlighted in gold, also lightly hand coloured.Portrait, three quarter length of a seated woman with her hands on her lap. She wears a dark dress with ruching on the bodice and a V-shaped insert with lace trimming and possibly a collar. She has side buns and hair in a middle parting. Her left arm rests on a table that has an open book on it. Part of her wooden chair is visible. There may be a brooch on her bodice. Gold chain highlighted in gold, also lightly hand coloured.
IMAGE
Arch of DrususArch of Drusus
IMAGE
the case hinges along the top.the case hinges along the top.
IMAGE
Collection of ten stereo daguerreotypes in original box by Carpenter and Westley, 24 Regent Steet, London, whose mark is stamped on the sliding lid of a polished wooden box. Attributed to T R WilliamsCollection of ten stereo daguerreotypes in original box by Carpenter and Westley, 24 Regent Steet, London, whose mark is stamped on the sliding lid of a polished wooden box. Attributed to T R Williams
IMAGE
Interior of Arch of ConstantineInterior of Arch of Constantine
IMAGE
This daguerreotype is one of a group of 4: A.50, A.49, A.51, A.52This daguerreotype is one of a group of 4: A.50, A.49, A.51, A.52
IMAGE
William Henry Baigent, born in Winchester, Hampshire, England on 12 Jun 1832 to Richard Baigent and Louisa Croome. He passed away on 1915 in Winchester, Hampshire, England.( Source http://records.ancestry.co.uk/william_henry_baigent_records.ashx?pid=127989482 )
Cushion decoration: stamped scrollwork, leafy pattern, central  designWilliam Henry Baigent, born in Winchester, Hampshire, England on 12 Jun 1832 to Richard Baigent and Louisa Croome. He passed away on 1915 in Winchester, Hampshire, England.( Source http://records.ancestry.co.uk/william_henry_baigent_records.ashx?pid=127989482 ) Cushion decoration: stamped scrollwork, leafy pattern, central design
IMAGE
Rome. Panorama from the Capitol Tower. No 10Rome. Panorama from the Capitol Tower. No 10
IMAGE
Half length portrait of a young woman looking to the left. She wears a dark shawl or cape which covers her arms, a dark dress, a yellow-edged magenta broad ribbon around her neck held with a small brooch; a lace collar partly covers this. She wears prominent ringlets. Hand-tinted.Half length portrait of a young woman looking to the left. She wears a dark shawl or cape which covers her arms, a dark dress, a yellow-edged magenta broad ribbon around her neck held with a small brooch; a lace collar partly covers this. She wears prominent ringlets. Hand-tinted.
IMAGE
Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.
IMAGE
Statue of 'Dorothea' by John Bell exhibited at the Great Exhibition in London of 1851. Displayed among foliage with other exhibits visible behind the plants. Made from Parian ware. Subject matter originates from Miguel de Cervante's novel Don Quixote, part 1: 'They espied a youth dressed like a peasant stooping to bath his lovely feet in the rivulet… the lovely maiden looked up…'. This was the most successful of Bell's works.Statue of 'Dorothea' by John Bell exhibited at the Great Exhibition in London of 1851. Displayed among foliage with other exhibits visible behind the plants. Made from Parian ware. Subject matter originates from Miguel de Cervante's novel Don Quixote, part 1: 'They espied a youth dressed like a peasant stooping to bath his lovely feet in the rivulet… the lovely maiden looked up…'. This was the most successful of Bell's works.
IMAGE
View of Renaissance tomb and sculpture. In the Great Exhibition, Crystal Palace, Sydenham.View of Renaissance tomb and sculpture. In the Great Exhibition, Crystal Palace, Sydenham.
IMAGE
Sculpture of Children with a Pony and a Hound by John Edward Jones (T. E. Jones) (1806-1862). Exhibited at the 1851 Great Exhibition. Possibly marble.  The plinth looks like a Great Exhibition plinth.  The image is laterally reversed.Sculpture of Children with a Pony and a Hound by John Edward Jones (T. E. Jones) (1806-1862). Exhibited at the 1851 Great Exhibition. Possibly marble. The plinth looks like a Great Exhibition plinth. The image is laterally reversed.
IMAGE
Collection of ten stereo daguerreotypes in original box by Carpenter and Westley, 24 Regent Steet, London, whose mark is stamped on the sliding lid of a polished wooden box. Attributed to T R WilliamsCollection of ten stereo daguerreotypes in original box by Carpenter and Westley, 24 Regent Steet, London, whose mark is stamped on the sliding lid of a polished wooden box. Attributed to T R Williams
IMAGE
Half-length portrait of a seated young woman. Her head is turned in side profile to her right, hair worn back in middle parting. She wears a long sleeved dress with collar and neck bow. Her right hand rests at her waist and her left elbow rests on table covered with a patterned tablecloth. She wears a ring on her wedding finger. Plain background.  Case front includes inlaid mother of pearl decoration.Half-length portrait of a seated young woman. Her head is turned in side profile to her right, hair worn back in middle parting. She wears a long sleeved dress with collar and neck bow. Her right hand rests at her waist and her left elbow rests on table covered with a patterned tablecloth. She wears a ring on her wedding finger. Plain background. Case front includes inlaid mother of pearl decoration.
IMAGE
Half length portrait of a boy standing by a deeply buttoned chair. He looks to his left and wears a cotton garment with fastening down the front and a little collar. He holds a hat in one hand and a cane or whip in the other. He is seen in 3/4 profile. Hand colouredHalf length portrait of a boy standing by a deeply buttoned chair. He looks to his left and wears a cotton garment with fastening down the front and a little collar. He holds a hat in one hand and a cane or whip in the other. He is seen in 3/4 profile. Hand coloured
IMAGE
Rome, Post OfficeRome, Post Office
IMAGE
Same sitter as 1990-5037_15Same sitter as 1990-5037_15
IMAGE
Paestum. Gate called the Porta della Sirena, exteriorPaestum. Gate called the Porta della Sirena, exterior
IMAGE
Half length view of a seated young woman with her hands in her lap. Wavy dark hair frames her face. She wears a mid-colour dress with flared sleeves, and white cuffs.  She has a broad plaid ribbon tied in a bow around her collar, also a white lace collar. She has two bracelets, one beaded, the other gold.  Part of a rectangular table is visible, as is the carved wooden back of her chair. Gold highlights.Half length view of a seated young woman with her hands in her lap. Wavy dark hair frames her face. She wears a mid-colour dress with flared sleeves, and white cuffs. She has a broad plaid ribbon tied in a bow around her collar, also a white lace collar. She has two bracelets, one beaded, the other gold. Part of a rectangular table is visible, as is the carved wooden back of her chair. Gold highlights.
IMAGE
Interior view of the nave, lake with crystal fountain, water-lilies. At the Crystal Palace, Sydenham.Interior view of the nave, lake with crystal fountain, water-lilies. At the Crystal Palace, Sydenham.
IMAGE
Rome, Temple of Jupiter TonansRome, Temple of Jupiter Tonans
IMAGE
Rome. Panorama from the Capitol Tower. No 6Rome. Panorama from the Capitol Tower. No 6
IMAGE
Rome. Panorama from S Pietro in Montorio.Rome. Panorama from S Pietro in Montorio.
IMAGE
Rome, View from the Ponto Rotto.Rome, View from the Ponto Rotto.
IMAGE
Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.Lower half only of case, breaking apart and glass loose within it. Fragile. There is a complex design based on an oval on the reverse of the case, of which the leather is stained and worn.
IMAGE
The registration card suggests the photographer is Elliott and Fry but this is unlikely as the firm was only set up in 1863.The registration card suggests the photographer is Elliott and Fry but this is unlikely as the firm was only set up in 1863.
IMAGE
Tomb of Caecilia Metella, Side with inscription.Tomb of Caecilia Metella, Side with inscription.
IMAGE
Portrait of a young man, head and shoulders, facing forward. Face and neck hand coloured. Large bow tie and dark jacket.Portrait of a young man, head and shoulders, facing forward. Face and neck hand coloured. Large bow tie and dark jacket.
IMAGE
Sculpture, possibly marble, of three boys caring a basket or tub decorated with vines and grapes on their shoulders. A girl with two young children sit within the tub. The girl stands with her right leg raised, holding a tambourine above her head. She wears a dress laced at the front with sleeves rolled up to her elbows. Of the two children one has his back to us, whilst the other sits slightly hidden behind her skirts playing a trumpet. There is also a vessel to carry liquid in the tub. The three boys carrying the tub wear clothing associated with a rural setting. Two of the figures have their sleeves rolled up to their elbows, the other does not. Two wear hats. They hold the tub above a tree stump which is situated between the three laden figures. Possibly exhibited in the Great Exhibition.Sculpture, possibly marble, of three boys caring a basket or tub decorated with vines and grapes on their shoulders. A girl with two young children sit within the tub. The girl stands with her right leg raised, holding a tambourine above her head. She wears a dress laced at the front with sleeves rolled up to her elbows. Of the two children one has his back to us, whilst the other sits slightly hidden behind her skirts playing a trumpet. There is also a vessel to carry liquid in the tub. The three boys carrying the tub wear clothing associated with a rural setting. Two of the figures have their sleeves rolled up to their elbows, the other does not. Two wear hats. They hold the tub above a tree stump which is situated between the three laden figures. Possibly exhibited in the Great Exhibition.
IMAGE
Half-length portrait of a man with sideburns and receding hair, facing slightly to his right, with his legs crossed. His right elbow rests on a table covered with a blue cloth. His hands join, resting in his lap. He wears a dark jacket, waistcoat, white shirt, dark cravat with white spots and check trousers. Hand-coloured.Half-length portrait of a man with sideburns and receding hair, facing slightly to his right, with his legs crossed. His right elbow rests on a table covered with a blue cloth. His hands join, resting in his lap. He wears a dark jacket, waistcoat, white shirt, dark cravat with white spots and check trousers. Hand-coloured.
IMAGE
Tray only of side-opening case with gilded tray, patterned tray retainer and ogee mat with texture and decorative line of dotsTray only of side-opening case with gilded tray, patterned tray retainer and ogee mat with texture and decorative line of dots
IMAGE
Half-length portrait of a young man, large dark cravat/tie, high collar, jacket with broad lapels, side-burns. Hand-tinted. Against a backdrop of painted clouds.Half-length portrait of a young man, large dark cravat/tie, high collar, jacket with broad lapels, side-burns. Hand-tinted. Against a backdrop of painted clouds.
IMAGE
Rome, Chief or Eastern Facade of the Church of San Giovanni in LateranoRome, Chief or Eastern Facade of the Church of San Giovanni in Laterano
IMAGE
Rome, South Side of the Triumphal Arch of ConstantineRome, South Side of the Triumphal Arch of Constantine
IMAGE
Rome: Panorama from S. Pietro in MontorioRome: Panorama from S. Pietro in Montorio
IMAGE
Rome. Piazza Navona, ObeliskRome. Piazza Navona, Obelisk
IMAGE
Woman and child very decoratively dressed with a remarkable amount of gold jewellery.
Very ornate case with moulded designs on front and back: foliage around an oval roundel on a 'machine-turned' ground, linear edging with gilt border. Velvet cover cushion decoration has a central urn holding exotic fruit, bordered with scrolling and foliate patternsWoman and child very decoratively dressed with a remarkable amount of gold jewellery. Very ornate case with moulded designs on front and back: foliage around an oval roundel on a 'machine-turned' ground, linear edging with gilt border. Velvet cover cushion decoration has a central urn holding exotic fruit, bordered with scrolling and foliate patterns
IMAGE
1 - 100 (Total Results 446)>>